"I enjoy painting what I really see. Houses are difficult to paint because you have to get the structure and perspective right. If not, the building won't look as if it is standing up properly. A photograph tends to distort the building because you have to tilt the camera to get the whole building in. The eye is more flexible, and can adjust the perspective.

"One encounters certain difficulties while painting outdoors but it can't be helped. I want to paint from life because it is alive".




  "For myself, as an artist, the attraction of Penang is the street scenes. They are always full of life and are a constant source of inspiration."

"I prefer to work in the street because I know that to catch the real atmosphere I need to be there. There is always some little gesture or posture that I could never think of in the studio."



"One of my favourite spots is Love Lane because of the houses there. There is always something going on hawker stalls selling food, trishaws passing by, people eating and drinking. I record it all in my sketch books with whatever comes to hand - pencil, charcoal, ink, anything.

"My subjects are the light and the local colour. That is what makes Penang such an enduring source of artistic interest".


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Street Scene

Kapitan Kling Mosque

Tok Aka Lane, Penang

Cannon Square

At The Park

Foggy Thames, London