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"My
paintings try to convey and extend to everybody the
beauty in this world which we often overlook. I sketch
the sun, the breeze, the river, building up my feelings
towards them through memory and colours"
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"Why
do I go back to the technique of free-hand sketches?
The simple and straight answer is : For the memories.
Doing black and white sketches bring me back to my beginnings
as an artist.
My
black and white sketches also tell of my grounding in
Nature and my feel for its surroundings, including buildings
and people.It
is the language of art - be it in colour or black and
white."
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"Mine
is not headlong rush into the creative process. I
seek calmness and repose. I prepare myself meditatively
and intuitively. From the first moments, even before
my pencil touches the canvas, I try to get a feel
of the place.
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Feel the warmth or cold and touch the texture of the
surface of trees and leaves.I
close my eyes, listen to the breeze and feel the pulse
of the Earth and its rhythm. Then,
and only then, do I set pen to paper."
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| View
artist's list
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Ridge, 1989 |
Chinatown |
Morning Glory,1989 |
Abstract Batk |
Kampong Ayer
|
Exposure |
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