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"I
enjoyed my work in the advertising agency immensely. All along I was lucky to
be given a reasonable free hand by the creative directors. I made fine art the
focus of my graphic designs, giving priority to creativity and experimentation.
They appealed to our clients. This approach meant my designs and paintings or
metal reliefs fused easily with one another.
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and more of my ideas come out in low relief - aluminum, copper, copper enamel,
steel and zinc. They have a life of their own in light. They are more complete
than anything I have done in the past. Experimentation is obviously important
as it is through his concepts, the artist has much to gain through the exploration
of media and materials. But the artist must guard against preconceived solutions.
I find endless possibilities working with metal. In
Singapore, if an artist sticks to only one form of art, he will have difficulty
making living out of it. The answer, I believe, is to be able to tackle the different
mediums. Indeed, the artist must always bear in mind the collector's needs. Discerning
collectors look for uniqueness in ideas and application." |
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| View
artist's list
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Nude & Wine, 1994 |
Towards Freedom, 1994 |
Universe, 1994 |
Kelaidescope Series, 621 |
City & Sun |
Fire Bird, 1994 |
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