"The ideal of my work remains a common theme of spiritual concern between man and nature. By implementing the Chinese visual phenomena into the composition of the work itself, to arouse the joy of spiritual rhythm; to once again express the paradoxical condition of our spirituality; reflecting a relationship of hostility both to man and to nature.
 

The work is to explore the harmony elaboration celebration of man-made design and the design of nature as a whole. For as Mrs Wingate has pointed out in the book of Chinese landscape painting.

"The difference between man-made elaboration and natural elaboration is that one is haphazard and the other is exact; the one excites the senses, the other satisfies it; the one distracts the eyes, the other fills it and gives it rest."

I think it is the endless tensions between these two opposed conditions which generate the vitality rhythm of life itself. As F. Scoll Fitzgerald used to say:

"The test of a first-rate intelligence is the ability to hold two opposed ideals in the mind at the same time and still retain the ability to function."

However, the limitation and alienation of mankind, it is an endless task to search for balance of human relationship in the society. More symbolically, my artwork is trying to translate this into metaphysical principles binding 'self' and others into an indestructible union of order and harmony."


 

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Rock Under Sea

Living Rock

Untitled

Skin In Mask

Rock

The Rock Structure