The images I make are linked to my childhood - my imagination and nightmares about weird looking animals and monsters. I have included a self-portrait in most of my works because these nightmare images are constantly spinning in my head, I feel that they are closely related to me, and had even become a part of me. I started working with ceramics when I first entered college. I used to take their art for granted. But now, I know that my attitude towards art has changed tremendously in the four years of my university life. I've always been looking for the meaning of creativity, now I know that creativity is not restricted to those with talent only; it is a process of seeing and reacting, one has to learn.

Often, my thoughts of the images change while I am sculpting. I do not always sketch my ideas out, as sketches disturb my hands from being spontaneous with the clay. Thus, I work freely as I do not give myself restrictions. Good throwing comes from a lot of hard work and practice. I consider my works surreal as I am very much influenced by painters like Max Ernst and Joan Miro. I tend to drift into another existence when I am sculpting my work. This is when I start to manipulate my sculptures. I believe that my works are means of communication between others and myself about my personal experience and emotion. It is also spiritual for me as it somewhat conveys a message about another existence, in which I have been interested since I was a child."